凤凰台的支书、村主任马天贵与他的房地产开发商弟弟马天元，利用权钱交易，强迫凤凰台村村民进行私土地流转，其叔马老厚、周大庆等村民奋力抵抗，最终使其计划以失败告终……

凤凰台的支书、村主任马天贵与他的房地产开发商弟弟马天元，利用权钱交易，强迫凤凰台村村民进行私土地流转，其叔马老厚、周大庆等村民奋力抵抗，最终使其计划以失败告终……

Travel Songs de Jonas Mekas 　　États-Unis, 2003, 16mm, 28’, coul., vostf, inédit 　　Filmé en 1967 à 1981, monté en 2003 　　Cinq « chants » : The Song of Assisi (1967, 2’), The Song of Avila (1967, 4’), The Song of Moscow (1970, 3’), The Song of Stockholm (1981, 4’), The Song of Italy (1967, 15’). « The Italian Notebook », qui constitue une partie de ces 'Travel Songs' est l’enregistrement d’un voyage à travers l’Italie, tourné sans son, il est constitué aussi bien d’images de paysages, de la mer, que par la ville dans toute la frénésie de ses nuits estivales. Filmé depuis des voitures, des trains, l’avion. Turin, Rome, Pesaro et des paysages. Monté une première fois en 1971, achevé en 1983.

Travel Songs de Jonas Mekas 　　États-Unis, 2003, 16mm, 28’, coul., vostf, inédit 　　Filmé en 1967 à 1981, monté en 2003 　　Cinq « chants » : The Song of Assisi (1967, 2’), The Song of Avila (1967, 4’), The Song of Moscow (1970, 3’), The Song of Stockholm (1981, 4’), The Song of Italy (1967, 15’). « The Italian Notebook », qui constitue une partie de ces 'Travel Songs' est l’enregistrement d’un voyage à travers l’Italie, tourné sans son, il est constitué aussi bien d’images de paysages, de la mer, que par la ville dans toute la frénésie de ses nuits estivales. Filmé depuis des voitures, des trains, l’avion. Turin, Rome, Pesaro et des paysages. Monté une première fois en 1971, achevé en 1983.

在不遠的將來，每年十位世上最致命的死刑犯，將會在「侏羅 紀遊戲」競爭以獲得自由。在這場電視實境秀中，參賽者必須對抗兇猛的恐龍和毫不留情的對手，最後的倖存者將獲得前所未有的自由、名望和財富！

在不遠的將來，每年十位世上最致命的死刑犯，將會在「侏羅 紀遊戲」競爭以獲得自由。在這場電視實境秀中，參賽者必須對抗兇猛的恐龍和毫不留情的對手，最後的倖存者將獲得前所未有的自由、名望和財富！

在不远的未来，全球最受欢迎的电视节目《侏罗纪游戏》每季都会让10名死刑犯进入高度先进的虚拟现实世界，与恐龙展开生死对决，胜者可获得自由。本季新主持人Joy LaFort（由Katie Burgess饰演）刚刚登场，游戏系统却突发故障，AI失控，病毒蔓延，参赛者被困在虚拟世界中，必须在现实中对抗恐龙和彼此，寻找逃生之路。

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome